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Three siblings gather to celebrate the birthday of their father, on the island of Ré. This is Adele, the elder of the two sisters, who had the idea to organize this surprise. Alice and Antoine adhere immediately. Arnaud, the eldest, is sidelined because of his bad temper. But then they make their way to the family home, an incident occurs. A black cat crossing the road when the father arrived by motorcycle. It is the accident.

In the dead of night, Charlotte, a young girl, appears at Roy's doorstep, fleeing from her abusive father. Despite a few too many drinks, Roy reluctantly offers her shelter for the night. What begins as a simple act of kindness, soon evolves into a complex relationship as Charlotte's stay extends beyond a single night. As the days pass and Charlotte's trust in Roy deepens, tension mounts as the audience is left to ponder the true nature of their connection. With each startling revelation, the line between protector and predator blurs, leading you to question if they are who they seem.

A short film about a beautiful young woman who goes on her first blind date.

思春期的少年少女中极少部分人会发作的特殊能力。 驱使着无人知晓的能力，过着顺风顺水学园生活的乙坂有宇。 突然出现在这样的他的面前的少女，友利奈绪。 从与她相遇的那一天起，被揭露出特殊能力者的宿命。 这是由麻枝准所描绘的，特殊能力者们奔跑着的青春物语——。

思春期的少年少女中极少部分人会发作的特殊能力。 驱使着无人知晓的能力，过着顺风顺水学园生活的乙坂有宇。 突然出现在这样的他的面前的少女，友利奈绪。 从与她相遇之日起，被揭露出来的特殊能力者的宿命。 这是由麻枝准所描绘的，特殊能力者们奔跑着的青春物语——。

Grand Prix" covers the world of horse racing, centered around the romance between a male horse jockey and a female horse jockey. Seo Joo-Hee (Kim Tae-Hee) is an ambitious equestrian who loses her beloved horse in a racing accident and also injures her arm. Devastated she quits the sport and travels to Jeju Island. On Jeju Island, Seo Joo-Hee meets fellow equestrian Woo-Seok (Yang Dong-Kun), a former winner of the Japan Cup who is also experienced a similar slump as Seo Joo-Hee. With Woo-Seok's help, Seo Joo-Hee becomes inspired to compete for the Grand Prix Chamionship.

This film was made up with formerly sensored scenes from earlier films from 1961 to 1974, plus unedited hard rushes from Benazeraf's just-about-to-be-released new film of the time, La Planque (1975).

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